![]() ![]() The difference is that these were made using expensive tilt-shift lenses. Below you can see other examples I made from shots I took in Paris and Vietnam.Ĭheck out Smashing Magazine and Metropolis Magazine for some beautiful examples of this same trickery. We’re close! I then bumped up the saturation and contrast using our Exposure plug-in to finish the effect. You could accomplish a similar blur by running Bokeh twice with the Planar Focus Region, but this is about the same and is easier. Then I pulled the outer dashed oval far out to give a long drop off to the blur. I squashed the focus region’s inner solid oval so it is wide and thin. I faded the photo just so you can clearly see the radial focus region controls in the preview. I’ll fix that by running the Bokeh plug-in. Here is a shot I took of the Arc de Triomphe from the Eiffel Tower in Paris. Second, boost the contrast and saturation to make everything look more like plastic toys.Ĭlick on any image to see a larger version. A close-up shot of one large subject is just not going to work. First, use a shot taken from high and far away, like from a tall building looking down on the rest of a city. There are two things to keep in mind when you’re using this technique. Download this Premium Photo about Paris city street rooftop view at sunset tilt-shift effect., and discover more than 23 Million Professional Stock Photos. By using Bokeh to simulate that shallow depth of field, you can trick viewers into thinking they are looking at something small. In contrast, a photo of a far-away subject is more likely to have everything in focus. I’ll make a picture of a real scene look like it is a miniature model, like a toy train set.Ĭlose-up pictures of small objects usually have very shallow depth of field that is, objects at a certain distance are in focus and things get blurry rapidly as you move closer or farther from that distance. In this tutorial, you’ll see one of my favorite uses of Bokeh, Alien Skin’s lens simulator and selective focus tool. Mostly I’m a programmer (and the founder of Alien Skin Software), but occasionally I dabble in photography at the hobbyist level.
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